Tracklist

  • CD
  • LP
  • MP3
  • 16-bit WAV
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)

EPHEM:ERA
by WEN

— Released 6th July 2018

WEN (aka Owen Darby) will release his new album 'EPHEM:ERA' via Big Dada. This follows his ‘CARVE + GAZE’ EP for the label in 2017, and is his first full length since his 2014 debut ‘Signals’ on Keysound. 

In 2018, consumption can be fleeting and momentary with only fragments retained. WEN’S new album is a response to this transient state of affairs: 'EPHEM:ERA' is presented as a collection of “temporal pauses” from an internet-driven, restless cycle of distractions. ...

WEN (aka Owen Darby) will release his new album 'EPHEM:ERA' via Big Dada. This follows his ‘CARVE + GAZE’ EP for the label in 2017, and is his first full length since his 2014 debut ‘Signals’ on Keysound. 

In 2018, consumption can be fleeting and momentary with only fragments retained. WEN’S new album is a response to this transient state of affairs: 'EPHEM:ERA' is presented as a collection of “temporal pauses” from an internet-driven, restless cycle of distractions. It’s an album of precise tracks, drawn from his spectrum-spanning, bass-driven style; it’s for an era of endless, short-lived discoveries. Influenced in part by architect Carlo Scarpa’s designs whilst drawing inspiration from late night drives and weather patterns, those cyclical, passing movements – from rain, to fog, to mist – struck a chord with Darby’s fixation on transience. Here Darby steps further outward, rendering the changing currents of UK-born, ‘weightless' iterations of grime across 12 tracks which he describes as “electronic studies - a sequence mapped out across the fringes of experimental club music”.

Revolving compositions map out the core of ‘EPHEM:ERA’ while subsequent texturing and honing puts disparity at the heart of Darby’s process, balancing impulsive creativity and acute attention-to-detail. Warm, worldly sounds meet with cold, digital constructions. In ‘RAIN’, melodic bleeps are enveloped inside airy atmospherics. Elsewhere, ‘VOID’ sees vivid, smashed glass punctuated by tense, steely arpeggios. The album shifts between different rhythmic approaches. In ‘CURVE_RELAY’, the drums are swung, heavy with groove, and percussion recedes in and out of focus of a shifting atmosphere. In ‘TIME II THINK’, icy, raw melodies are propelled by a 4/4 kick drum, muffled and subdued. The changing structures of his tracks reflect a wide-open perspective, delineating between different genre markers and club contexts.

As an album, it’s as much a reaction to our relationship with music as it is a continued exploration. Collecting together different, distinct moods in a deluge of tracks, it’s a comment on prevailing, fickle attitudes; music is quickly discovered, momentarily explored, before attention is swiftly re-directed elsewhere. But, at the same time, it’s a vehicle for connecting new ideas: bringing together lawless, overlapping lineages into something that’s forward-facing and whole.

EPHEM:ERA
by WEN

— Released 6th July 2018

Physical

LP (BD293)

180g clear vinyl housed in an uncoated, spined sleeve and black paper inner. Download code included. Artwork and design by Ross J. Platt.

This item has not been released yet, we will ship it to arrive on or close to the release date of 6th July 2018.

£15.00
 
CD (BDCD293)

Black carbon disc housed in an uncoated softpack sleeve with black CD tray. Artwork and design by Ross J. Platt.

This item has not been released yet, we will ship it to arrive on or close to the release date of 6th July 2018.

 

Digital

PRE-SAVE TO SPOTIFY

Automatically add this album to your Spotify account on the release date of 6th July 2018.

You will be asked to login with your Spotify Account.

Read our Terms & Conditions about this service here

 
MP3 (BDDNL293)

This item has not been released yet, it will be available to download on the release date, 6th July 2018.

 
16-bit WAV (BDDNL293W)

This item has not been released yet, it will be available to download on the release date, 6th July 2018.

 

Bundles

'EPHEM:ERA' LP + 'CARVE + GAZE' 12" Vinyl Bundle (BDBUNDLE293-1)

This item has not been released yet, it will be available to download on the release date, 6th July 2018.

Contains:
1 x EPHEM:ERA LP (BD293)
1 x CARVE + GAZE 12" (BD281)

More Info

£ 23.00 £20.00

Physical

Digital

LP (BD293)

180g clear vinyl housed in an uncoated, spined sleeve and black paper inner. Download code included. Artwork and design by Ross J. Platt.

This item has not been released yet, we will ship it to arrive on or close to the release date of 6th July 2018.

£15.00
PRE-SAVE TO SPOTIFY

Automatically add this album to your Spotify account on the release date of 6th July 2018.

You will be asked to login with your Spotify Account.

Read our Terms & Conditions about this service here

CD (BDCD293)

Black carbon disc housed in an uncoated softpack sleeve with black CD tray. Artwork and design by Ross J. Platt.

This item has not been released yet, we will ship it to arrive on or close to the release date of 6th July 2018.

MP3 (BDDNL293)

This item has not been released yet, it will be available to download on the release date, 6th July 2018.

16-bit WAV (BDDNL293W)

This item has not been released yet, it will be available to download on the release date, 6th July 2018.

Buy bundle

'EPHEM:ERA' LP + 'CARVE + GAZE' 12" Vinyl Bundle (BDBUNDLE293-1)

This item has not been released yet, it will be available to download on the release date, 6th July 2018.

Contains:
1 x EPHEM:ERA LP (BD293)
1 x CARVE + GAZE 12" (BD281)

More Info

£ 23.00 £20.00

Tracklist

  • CD
  • LP
  • MP3
  • 16-bit WAV
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)
  1. 1
    SILHOUETTE
  2. 2
    GLISTEN
  3. 3
    TIME II THINK
  4. 4
    RAIN
  5. 5
    BLIPS
  6. 6
    VOID
  7. 7
    CURVE_RELAY
  8. 8
    GRIT
  9. 9
    OFF-KILTER
  10. 10
    SUN THRU BLINDS
  11. 11
    SCHOENE
  12. 12
    DIVERSE
  13.  
    Play All (3)

WEN (aka Owen Darby) will release his new album 'EPHEM:ERA' via Big Dada. This follows his ‘CARVE + GAZE’ EP for the label in 2017, and is his first full length since his 2014 debut ‘Signals’ on Keysound. 

In 2018, consumption can be fleeting and momentary with only fragments retained. WEN’S new album is a response to this transient state of affairs: 'EPHEM:ERA' is presented as a collection of “temporal pauses” from an internet-driven, restless cycle of distractions. ...

WEN (aka Owen Darby) will release his new album 'EPHEM:ERA' via Big Dada. This follows his ‘CARVE + GAZE’ EP for the label in 2017, and is his first full length since his 2014 debut ‘Signals’ on Keysound. 

In 2018, consumption can be fleeting and momentary with only fragments retained. WEN’S new album is a response to this transient state of affairs: 'EPHEM:ERA' is presented as a collection of “temporal pauses” from an internet-driven, restless cycle of distractions. It’s an album of precise tracks, drawn from his spectrum-spanning, bass-driven style; it’s for an era of endless, short-lived discoveries. Influenced in part by architect Carlo Scarpa’s designs whilst drawing inspiration from late night drives and weather patterns, those cyclical, passing movements – from rain, to fog, to mist – struck a chord with Darby’s fixation on transience. Here Darby steps further outward, rendering the changing currents of UK-born, ‘weightless' iterations of grime across 12 tracks which he describes as “electronic studies - a sequence mapped out across the fringes of experimental club music”.

Revolving compositions map out the core of ‘EPHEM:ERA’ while subsequent texturing and honing puts disparity at the heart of Darby’s process, balancing impulsive creativity and acute attention-to-detail. Warm, worldly sounds meet with cold, digital constructions. In ‘RAIN’, melodic bleeps are enveloped inside airy atmospherics. Elsewhere, ‘VOID’ sees vivid, smashed glass punctuated by tense, steely arpeggios. The album shifts between different rhythmic approaches. In ‘CURVE_RELAY’, the drums are swung, heavy with groove, and percussion recedes in and out of focus of a shifting atmosphere. In ‘TIME II THINK’, icy, raw melodies are propelled by a 4/4 kick drum, muffled and subdued. The changing structures of his tracks reflect a wide-open perspective, delineating between different genre markers and club contexts.

As an album, it’s as much a reaction to our relationship with music as it is a continued exploration. Collecting together different, distinct moods in a deluge of tracks, it’s a comment on prevailing, fickle attitudes; music is quickly discovered, momentarily explored, before attention is swiftly re-directed elsewhere. But, at the same time, it’s a vehicle for connecting new ideas: bringing together lawless, overlapping lineages into something that’s forward-facing and whole.